Industry: Service & Software
Published Date: 2025-05-09
Pages: 152 Pages
Report ld: 4729541
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Copyright Music Market Size(US$)

CAGR 2025-2031
6.1%
Market Size,2031
USD 11,340
Million
Market Snapshot
Source: Secondary research, interviews with experts, and QYResearch analysis
The global Copyright Music market is projected to grow from US$ 7972 million in 2025 to US$ 11340 million by 2031, at a Compound Annual Growth Rate (CAGR) of 6.1% during the forecast period.
Copyright Music refers to officially licensed music produced and provided by music copyright companies or independent musicians. It is widely used in various scenarios to meet the background music needs of different projects, including advertisements, short videos, audiobooks, live events, apps, films, TV shows, video games, and animations. This article calculates the revenue of the copyrighted music market, which primarily includes income generated by record companies, copyright agencies, music producers and studios, as well as copyright regulatory bodies through music sublicensing or copyright sales.
In the Chinese market, major copyrighted music players include Tencent Music, NetEase Cloud Music, SONY Music, Universal Music and Warner Music, etc., with the top five companies taking up about 44% of the market share. In terms of product types, copyright agents are the largest market segment, accounting for 44 percent of the market share, and in terms of applications, enterprises have the largest share, about 63 percent.
The growth of the licensed music industry is primarily driven by the surge in digital content consumption, the expansion of streaming platforms, and stronger copyright protection. With increasing demand for licensed music in scenarios like short videos, live streaming, and online education, platforms are compelled to procure authorized content to comply with legal requirements, fueling the commercialization of music rights. Additionally, technological advancements (such as AI-powered copyright monitoring) and the steady rise in global streaming subscriptions (e.g., Spotify, Tencent Music) provide further momentum. Meanwhile, stricter regulations against infringement (e.g., amendments to the Digital Millennium Copyright Act) help standardize the market and stimulate demand for licensed music.
In the short term, customized music (e.g., for brand marketing or game soundtracks) and B2B licensing models (e.g., background music for businesses) are emerging as new growth areas, while AI-generated music lowers production barriers. Long-term trends suggest blockchain could revolutionize rights management by enabling transparent royalty distribution. Globalization (e.g., cross-border music catalog integration) is accelerating, and users’ willingness to pay for premium experiences (e.g., Dolby Atmos, interactive music) is pushing the industry toward high-value services. Furthermore, eco-themed music and metaverse applications may spawn new niche markets.
In terms of production side, this report researches the Copyright Music production, growth rate, market share by manufacturers and by region (region level and country level), from 2020 to 2025, and forecast to 2031.
In terms of consumption side, this report focuses on the sales of Copyright Music by region (region level and country level), by company, by Type and by Application. from 2020 to 2025 and forecast to 2031.
This report presents an overview of global market for Copyright Music, capacity, output, revenue and price. Analyses of the global market trends, with historic market revenue/sales data for 2020 - 2025, estimates for 2025, and projections of CAGR through 2031.
This report researches the key producers of Copyright Music, also provides the consumption of main regions and countries. Highlights of the upcoming market potential for Copyright Music, and key regions/countries of focus to forecast this market into various segments and sub-segments. Country specific data and market value analysis for the U.S., Canada, Mexico, Brazil, China, Japan, South Korea, Southeast Asia, India, Germany, the U.K., Italy, Middle East, Africa, and Other Countries.
This report focuses on the Copyright Music sales, revenue, market share and industry ranking of main manufacturers, data from 2020 to 2025. Identification of the major stakeholders in the global Copyright Music market, and analysis of their competitive landscape and market positioning based on recent developments and segmental revenues. This report will help stakeholders to understand the competitive landscape and gain more insights and position their businesses and market strategies in a better way.
This report analyzes the segments data by Type and by Application, sales, revenue, and price, from 2020 to 2031. Evaluation and forecast the market size for Copyright Music sales, projected growth trends, production technology, application and end-user industry.
Descriptive company profiles of the major global players, including Tencent Music, NetEase Cloud Music, Sony Music, Universal Music, Warner Music, Taihe Music, Rock Records, HIM International Music, MODERN SKY, Fenghua Qiushi, etc.
MARKET SEGMENTATION
CHAPTER OUTLINE
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type and by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Copyright Music production/output of global and key producers (regions/countries). It provides a quantitative analysis of the production, and development potential of each producer in the next six years.
Chapter 3: Sales (consumption), revenue of Copyright Music in global, regional level and country level. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space of each country in the world.
Chapter 4: Detailed analysis of Copyright Music manufacturers competitive landscape, price, sales, revenue, market share and industry ranking, latest development plan, merger, and acquisition information, etc.
Chapter 5: Provides the analysis of various market segments by Type, covering the sales, revenue, average price, and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 6: Provides the analysis of various market segments by Application, covering the sales, revenue, average price, and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 7: North America (US & Canada) by Type, by Application and by country, sales, and revenue for each segment.
Chapter 8: Europe by Type, by Application and by country, sales, and revenue for each segment.
Chapter 9: China by Type, and by Application, sales, and revenue for each segment.
Chapter 10: Asia (excluding China) by Type, by Application and by region, sales, and revenue for each segment.
Chapter 11: Middle East, Africa, Latin America by Type, by Application and by country, sales, and revenue for each segment.
Chapter 12: Provides profiles of key manufacturers, introducing the basic situation of the main companies in the market in detail, including product descriptions and specifications, Copyright Music sales, revenue, price, gross margin, and recent development, etc.
Chapter 13: Analysis of industrial chain, sales channel, key raw materials, distributors and customers.
Chapter 14: Introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.
Chapter 15: The main points and conclusions of the report.
QYRESEARCH'S STRENGTHS
Unlike generic global market reports, this study combines macro-level industry trends with hyper-local operational intelligence, empowering data-driven decisions across the Compound Chocolate value chain, addressing:
We identify regional market threats and growth prospects to guide your overseas layout.
We adjust product portfolios in line with local consumption habits.
We unpack rivals’ operation strategies for scattered and highly concentrated industries.
We cover competition landscape, full supply chain and quantified market size data, and deliver tailor-made customized surveys to meet your unique business demands.
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Our team operates 24 hours a day, 365 days a year, enabling ultra-fast report turnaround to respond to your research needs efficiently.
We integrate regional risk assessment, localized product optimization and competitor analysis to deliver actionable market strategies.
All data is cross-verified from multiple industry sources to deliver thorough, precise analysis that supports reliable corporate strategic decisions.
We provide responsive, dedicated after-sales support to resolve all follow-up inquiries about reports, data and industry interpretation.
TABLE OF CONTENTS
1 Report Overview
1.1 Study Scope
1.2 Market Analysis by Type
1.2.1 Global Copyright Music Market Size Growth Rate by Type: 2020 VS 2024 VS 2031
1.2.2 Record Company
1.2.3 Music Producers and Studios
1.2.4 Copyright Agent
1.2.5 Copyright Regulatory Department
1.3 Market by Application
1.3.1 Global Copyright Music Market Share by Application: 2020 VS 2024 VS 2031
1.3.2 Personal
1.3.3 Business
1.4 Assumptions and Limitations
1.5 Study Objectives
1.6 Years Considered
2 Global Growth Trends
2.1 Global Copyright Music Market Perspective (2020-2031)
2.2 Global Copyright Music Growth Trends by Region
2.2.1 Global Copyright Music Market Size by Region: 2020 VS 2024 VS 2031
2.2.2 Copyright Music Market Size by Region (2020-2031)
2.3 Copyright Music Market Dynamics
2.3.1 Copyright Music Industry Trends
2.3.2 Copyright Music Market Drivers
2.3.3 Copyright Music Market Challenges
2.3.4 Copyright Music Market Restraints
3 Competition Landscape by Key Players
3.1 Global Revenue Copyright Music by Players
3.1.1 Global Copyright Music Revenue by Players (2020-2025)
3.1.2 Global Copyright Music Revenue Market Share by Players (2020-2025)
3.2 Global Copyright Music Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Global Key Players of Copyright Music, Ranking by Revenue, 2023 VS 2024 VS 2025
3.4 Global Market Concentration Ratio
3.4.1 Global Copyright Music Market Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Copyright Music Revenue in 2024
3.5 Global Key Players of Copyright Music Head office and Area Served
3.6 Global Key Players of Copyright Music, Product and Application
3.7 Global Key Players of Copyright Music, Date of Enter into This Industry
3.8 Mergers & Acquisitions, Expansion Plans
4 Breakdown Data by Type
4.1 Global Copyright Music Historic Market Size by Type (2020-2025)
4.2 Global Copyright Music Forecasted Market Size by Type (2026-2031)
5 Breakdown Data by Application
5.1 Global Copyright Music Historic Market Size by Application (2020-2025)
5.2 Global Copyright Music Forecasted Market Size by Application (2026-2031)
6 North America
6.1 North America Copyright Music Market Size (2020-2031)
6.2 North America Market Size by Type
6.2.1 North America Copyright Music Market Size by Type (2020-2031)
6.2.2 North America Copyright Music Market Share by Type (2020-2031)
6.3 North America Market Size by Application
6.3.1 North America Copyright Music Market Size by Application (2020-2031)
6.3.2 North America Copyright Music Market Share by Application (2020-2031)
6.4 North America Market Size by Country
6.4.1 North America Copyright Music Market Size by Country: 2020 VS 2024 VS 2031
6.4.2 North America Copyright Music Market Size by Country (2020-2031)
6.4.3 United States
6.4.4 Canada
7 Europe
7.1 Europe Copyright Music Market Size (2020-2031)
7.2 Europe Market Size by Type
7.2.1 Europe Copyright Music Market Size by Type (2020-2031)
7.2.2 Europe Copyright Music Market Share by Type (2020-2031)
7.3 Europe Market Size by Application
7.3.1 Europe Copyright Music Market Size by Application (2020-2031)
7.3.2 Europe Copyright Music Market Share by Application (2020-2031)
7.4 Europe Market Size by Country
7.4.1 Europe Copyright Music Market Size by Country: 2020 VS 2024 VS 2031
7.4.2 Europe Copyright Music Market Size by Country (2020-2025)
7.4.3 Germany
7.4.4 France
7.4.5 U.K.
7.4.6 Italy
7.4.7 Russia
7.4.8 Nordic Countries
8 China
8.1 China Copyright Music Market Size (2020-2031)
8.2 China Market Size by Type
8.2.1 China Copyright Music Market Size by Type (2020-2031)
8.2.2 China Copyright Music Market Share by Type (2020-2031)
8.3 China Market Size by Application
8.3.1 China Copyright Music Market Size by Application (2020-2031)
8.3.2 China Copyright Music Market Share by Application (2020-2031)
9 Asia (excluding China)
9.1 Asia Copyright Music Market Size (2020-2031)
9.2 Asia Market Size by Type
9.2.1 Asia Copyright Music Market Size by Type (2020-2031)
9.2.2 Asia Copyright Music Market Share by Type (2020-2031)
9.3 Asia Market Size by Application
9.3.1 Asia Copyright Music Market Size by Application (2020-2031)
9.3.2 Asia Copyright Music Market Share by Application (2020-2031)
9.4 Asia Market Size by Region
9.4.1 Asia Copyright Music Market Size by Region: 2020 VS 2024 VS 2031
9.4.2 Asia Copyright Music Market Size by Region (2020-2031)
9.4.3 Japan
9.4.4 South Korea
9.4.5 China Taiwan
9.4.6 Southeast Asia
9.4.7 India
9.4.8 Australia
10 Middle East, Africa, and Latin America
10.1 Middle East, Africa, and Latin America Copyright Music Market Size (2020-2031)
10.2 Middle East, Africa, and Latin America Market Size by Type
10.2.1 Middle East, Africa, and Latin America Copyright Music Market Size by Type (2020-2031)
10.2.2 Middle East, Africa, and Latin America Copyright Music Market Share by Type (2020-2031)
10.3 Middle East, Africa, and Latin America Market Size by Application
10.3.1 Middle East, Africa, and Latin America Copyright Music Market Size by Application (2020-2031)
10.3.2 Middle East, Africa, and Latin America Market Share by Application (2020-2031)
10.4 Middle East, Africa, and Latin America Market Size by Country
10.4.1 Middle East, Africa, and Latin America Copyright Music Market Size by Country: 2020 VS 2024 VS 2031
10.4.2 Middle East, Africa, and Latin America Copyright Music Market Size by Country (2020-2031)
10.4.3 Brazil
10.4.4 Mexico
10.4.5 Turkey
10.4.6 Saudi Arabia
10.4.7 Israel
10.4.8 GCC Countries
11 Key Players Profiles
11.1 Tencent Music
11.1.1 Tencent Music Company Details
11.1.2 Tencent Music Business Overview
11.1.3 Tencent Music Copyright Music Introduction
11.1.4 Tencent Music Revenue in Copyright Music Business (2020-2025)
11.1.5 Tencent Music Recent Development
11.2 NetEase Cloud Music
11.2.1 NetEase Cloud Music Company Details
11.2.2 NetEase Cloud Music Business Overview
11.2.3 NetEase Cloud Music Copyright Music Introduction
11.2.4 NetEase Cloud Music Revenue in Copyright Music Business (2020-2025)
11.2.5 NetEase Cloud Music Recent Development
11.3 Sony Music
11.3.1 Sony Music Company Details
11.3.2 Sony Music Business Overview
11.3.3 Sony Music Copyright Music Introduction
11.3.4 Sony Music Revenue in Copyright Music Business (2020-2025)
11.3.5 Sony Music Recent Development
11.4 Universal Music
11.4.1 Universal Music Company Details
11.4.2 Universal Music Business Overview
11.4.3 Universal Music Copyright Music Introduction
11.4.4 Universal Music Revenue in Copyright Music Business (2020-2025)
11.4.5 Universal Music Recent Development
11.5 Warner Music
11.5.1 Warner Music Company Details
11.5.2 Warner Music Business Overview
11.5.3 Warner Music Copyright Music Introduction
11.5.4 Warner Music Revenue in Copyright Music Business (2020-2025)
11.5.5 Warner Music Recent Development
11.6 Taihe Music
11.6.1 Taihe Music Company Details
11.6.2 Taihe Music Business Overview
11.6.3 Taihe Music Copyright Music Introduction
11.6.4 Taihe Music Revenue in Copyright Music Business (2020-2025)
11.6.5 Taihe Music Recent Development
11.7 Rock Records
11.7.1 Rock Records Company Details
11.7.2 Rock Records Business Overview
11.7.3 Rock Records Copyright Music Introduction
11.7.4 Rock Records Revenue in Copyright Music Business (2020-2025)
11.7.5 Rock Records Recent Development
11.8 HIM International Music
11.8.1 HIM International Music Company Details
11.8.2 HIM International Music Business Overview
11.8.3 HIM International Music Copyright Music Introduction
11.8.4 HIM International Music Revenue in Copyright Music Business (2020-2025)
11.8.5 HIM International Music Recent Development
11.9 MODERN SKY
11.9.1 MODERN SKY Company Details
11.9.2 MODERN SKY Business Overview
11.9.3 MODERN SKY Copyright Music Introduction
11.9.4 MODERN SKY Revenue in Copyright Music Business (2020-2025)
11.9.5 MODERN SKY Recent Development
11.10 Fenghua Qiushi
11.10.1 Fenghua Qiushi Company Details
11.10.2 Fenghua Qiushi Business Overview
11.10.3 Fenghua Qiushi Copyright Music Introduction
11.10.4 Fenghua Qiushi Revenue in Copyright Music Business (2020-2025)
11.10.5 Fenghua Qiushi Recent Development
11.11 BMG Rights Management
11.11.1 BMG Rights Management Company Details
11.11.2 BMG Rights Management Business Overview
11.11.3 BMG Rights Management Copyright Music Introduction
11.11.4 BMG Rights Management Revenue in Copyright Music Business (2020-2025)
11.11.5 BMG Rights Management Recent Development
11.12 Sentric Music
11.12.1 Sentric Music Company Details
11.12.2 Sentric Music Business Overview
11.12.3 Sentric Music Copyright Music Introduction
11.12.4 Sentric Music Revenue in Copyright Music Business (2020-2025)
11.12.5 Sentric Music Recent Development
11.13 peermusic
11.13.1 peermusic Company Details
11.13.2 peermusic Business Overview
11.13.3 peermusic Copyright Music Introduction
11.13.4 peermusic Revenue in Copyright Music Business (2020-2025)
11.13.5 peermusic Recent Development
11.14 Concord Music Publishing
11.14.1 Concord Music Publishing Company Details
11.14.2 Concord Music Publishing Business Overview
11.14.3 Concord Music Publishing Copyright Music Introduction
11.14.4 Concord Music Publishing Revenue in Copyright Music Business (2020-2025)
11.14.5 Concord Music Publishing Recent Development
11.15 Pulse Music Group
11.15.1 Pulse Music Group Company Details
11.15.2 Pulse Music Group Business Overview
11.15.3 Pulse Music Group Copyright Music Introduction
11.15.4 Pulse Music Group Revenue in Copyright Music Business (2020-2025)
11.15.5 Pulse Music Group Recent Development
11.16 Downtown Music Services
11.16.1 Downtown Music Services Company Details
11.16.2 Downtown Music Services Business Overview
11.16.3 Downtown Music Services Copyright Music Introduction
11.16.4 Downtown Music Services Revenue in Copyright Music Business (2020-2025)
11.16.5 Downtown Music Services Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.1.1 Research Programs/Design
13.1.1.2 Market Size Estimation
13.1.1.3 Market Breakdown and Data Triangulation
13.1.2 Data Source
13.1.2.1 Secondary Sources
13.1.2.2 Primary Sources
13.2 Author Details
13.3 Disclaimer
TABLE OF FIGURES
List of Tables
List of Figures
KEY QUESTIONS ADDRESSED BY THE REPORT
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REPORT COVERAGE
DESCRIPTION
OVERVIEW
MARKET SEGMENTATION
CHAPTER OUTLINE
QYRESEARCH'S STRENGTHS
TABLE OF CONTENTS
TABLE OF FIGURES
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